Vedas: Gods, Sages and Yajnas
Gods, Sages and Yajnas in Vedas
By Swami Samarpanananda
Ramakrishna Mission: Vivekananda Education and Research Institute
Belur Math, Howrah, W. Bengal
YouTube Channel:
Indian Spiritual Heritage
This work offers a bird’s eye view on the Vedic gods, sages and
the Yajnas that the sages prescribed.
Vedic Gods
Savitr: The word Savitr is derived from the root su, which
means to stimulate. The God of Gaytri mantra, who has been
meditated upon by millions for thousands of years is pre-eminently
a golden deity whose car and its pole are golden. Shining with the
rays of the sun, yellow-haired, Savitr raises up his light
continually from the east. His ancient paths in the air are
dustless and easy to traverse, and on them he protects his
worshippers; for he conveys the departed spirit to where the
righteous dwell. He removes evil dreams, and makes men sinless. He
is also connected with the evening as well as the morning; for at
his command night comes and he brings all beings to rest.
Savitr is often distinguished from Surya. In some passages, he is
said to shine with the rays of the Sun, to impel the sun, or to
declare men sinless to the sun. But in other passages it is hardly
possible to keep the two deities apart.
Dyāvā-prthivi: Heaven and Earth are the most frequently
named pair of deities in the Rigveda. They are also separately
addressed as 'father' and 'mother', since they have made and
sustain all creatures; they are also the parents of the gods. At
the same time they are in different passages spoken of as
themselves created by individual gods.
They never grow old. They are great and wide-extended; they are
broad and vast abodes. They grant food and wealth, or bestow great
fame and dominion. Sometimes moral qualities are attributed to
them. They are wise and promote dharma. As father and mother they
guard beings, and protect from disgrace and misfortune.
Rudra: Just like Visnu, Rudra occupies a subordinate
position in the Rigveda. It was much later that he became quite
prominent in his form as Shiva. The epics and the Puranas drew the
character heavily from that of Rudra. The famous mantra traymbakam
yajamahe used universally as prayer to Lord Shiva, comes in the
Vedas itself.
Rudra has beautiful lips and wears braided hair. His colour is
brown, his form is dazzling, he shines like the radiant sun, is
arrayed with golden ornaments, and wears a glorious necklace,
drives in a car, holds the thunderbolt in his arm, and discharges
his lightning shaft from the sky; but he is usually said to be
armed with a bow and arrows, which are strong and swift.
He is fierce and destructive, strongest of the strong, swift,
unassailable, unsurpassed in might, young and unaging. He is
easily invoked and auspicious (siva). He not only preserves from
calamity, but bestows blessings. His healing powers are often
mentioned; he has a thousand remedies, and is the greatest
physician of physicians
Mitra: The association of Mitra with Varuna is so intimate
that he practically has no individuality of his own. His very name
means 'friend', or 'ally'. In the Persian religion 'Mithra' is a
sun-god or a god of light specially connected with the sun. The
dual invocation of Mitra-Varuna goes back to the Indo-Iranian
period, for Ahura and Mithra are coupled in the Avesta. In the
Brahmanas, Mitra is connected with day, and Varuna with night.
Uttering his voice, Mitra marshals men and watches the tillers
with an unwinking eye. Like Varuna, he is upholder of laws, and
Visnu takes his three steps by the laws of Mitra
Brihaspati: Brhiaspati is a purely Indian god, and is also called
'Brahmana pati'-- 'Lord of prayer'. Addressed as the father of the
gods, he is said to have blown forth their births. Like Agni, he
is the priest of the gods. He is the generator of all prayers, and
without him sacrifice does not succeed. His song goes to heaven,
and he is associated with singers. He is said to help and protect
the pious man, to prolong life, and to remove disease.
In the later literature, he plays a very important role as the
priest of gods, and tries to defeat the power of Shukracharya, the
priest of the asuras.
Usas: Decked in gay attire like a dancer, clothed in light,
Usha (early morning) appears in the east and unveils her charms.
Rising resplendent as from a bath she comes with light, driving
away the darkness and removing the black robe of night. She is
young, being born again and again, though ancient. Shining with a
uniform hue, she also wastes away the life of mortals.
She drives away evil dreams, evil spirits, and the hated darkness.
She discloses the treasures concealed by darkness, and distributes
them bountifully. She awakens every living being to motion. When
Usas shines forth, the birds fly up from their nests and men seek
nourishment. Day by day appearing at the appointed place, she
never infringes the ordinance of nature and of the gods. She
renders good service to the gods by awakening all worshippers and
causing the sacrificial fires to be kindled.
Usas is closely associated with the Sun. Since she precedes the
Sun, she is occasionally regarded as his mother. She is also
called the sister, or the elder sister of Night and their names
are often conjoined as a dual compound (usasa-nakta). As the
sacrificial fire is kindled at dawn, Usas causes Agni to be
kindled, and Agni goes to meet the shining Dawn as she approaches.
Usas brings the worshipper wealth and children, bestowing
protection and long life.
Parjanya: The name literally means 'rain-cloud', but he is
frequently described as a bull that quickens the plants and the
earth. The shedding of rain is his most prominent characteristic.
He flies around with a watery car, and loosens the water-skin. In
this activity he is associated with thunder and lightning. He is
in a special degree the producer and nourisher of vegetation, and
by implication Earth is his wife.
Pusan: His individuality is vague, and his traits are
scanty. He wears braided hair, a beard and carries a golden spear.
His car is drawn by goats instead of horses. With his golden
aerial ships, Pusan acts as the messenger of Surya. He sees all
creatures clearly and at once. He also conducts the dead on the
far-off path of the Fathers, is a guardian of roads, removing
dangers out of the way, protects cattle and brings them home
unhurt and driving back the lost.
Āpas: These are the waters who follow the path of the gods.
The deification of the Waters is pre-Vedic, for they are invoked
as apo in the Avesta also.
Indra, armed with the bolt, dug out a channel for them, so they
never infringe his ordinances. They are celestial as well as
terrestrial, and the sea is their goal. King Varuna moves in their
midst, looking down on the truth and the falsehood of men. They
are also mothers to Agni. They give their auspicious fluid like
loving mothers, and they purify, carrying away defilement. They
also cleanse moral guilt, the sins of violence, cursing, and
lying.
Vísve devāh: The comprehensive group called Vísve devāh
occupies an important position. Probably it is an artificial
sacrificial group intended to include all the gods in order that
none should be left out during sacrifices, or prayer.
Yama: Yama is the chief of all the dead whose last rites
were performed according to Vedic rites. He is not expressly
designated a god, but only a being who rules over the dead. His
father is Vivasvat, and he is said to have chosen death of his own
will to find out the path for many, to where the ancient Fathers
passed away. Thus, death is the path of Yama.
As the first father of mankind and the first of those that died,
Yama appears to have originally been regarded as a mortal who
became the chief of the souls of the departed. He is associated
with Varuna, Brihaspati, and especially Agni, the conductor of the
dead, who is called his friend and his priest.
Yama dwells in the remote recess of the sky. In his abode, which
is the home of the gods, he is surrounded by songs and the sound
of the flute.The owl and the pigeon are mentioned as his
messengers, but the two four-eyed, broad-nosed, bridled dogs, sons
of Sarama are his regular emissaries. They guard the path along
which the dead man hastens to join the Fathers who rejoice with
Yama. They watch men and wander among the peoples as Yama's
messengers, but not in a bad sense. Yama is invoked to lead his
worshippers to the gods, and to prolong life.
Vāta: Vata's name is connected with forms of the root va,
(blow), which is also used for the name of Vayu. Vata is the
breath of the gods, and like Rudra he has a hand in healing and
prolonging life. He has the treasure of immortality in his house.
His activity is chiefly mentioned in connection with the
thunderstorm.
Purusa: There are seven hymns dealing with the creation of
the world as produced from some material. In the well-known Purusa
sukta, the gods are the agents of creation, while the material out
of which the world is made is the body of Purusa, the God. The act
of creation is here treated as a sacrifice in which Purusa is the
victim, whose body parts became the universe. The Vedas sprung
from him, the animals and plants were born of him, and the castes
of men came out of him.
Pitras: They are the blessed dead who dwell in the third
heaven. The term as a rule applies to the first ancestors who
followed the ancient paths.
The Pitaras are classed as higher, lower, and middle, as earlier
and later, who though not always known to their descendants, are
known to Agni. They receive oblations as their food and are
entreated to hear, intercede for, and protect their worshippers,
and besought not to injure their descendants for any sin humanly
committed against them. They are invoked to give riches, children,
and long life to their sons, who desire to be in their good
graces.
The path trodden by the Fathers (pitr yāna) is different from that
trodden by the gods (deva yāna).
Vedic Rishis
Vāchaspatyam, the ancient Sanskrit to Sanskrit dictionary, defines
rishi as: rishati jnānena samsāra-pāram (one who reaches beyond
this transmigratory world by means of spiritual knowledge).
Etymogically, the word may also mean "to see" or "to realise"
spiritual truths.
Going through the Vedas, we realise that it would have been
impossible for an ordinary poet, or even an spiritual aspirant to
have the wisdom that have been recorded in the Vedas. Commenting
on the special attainments of the Vedic rishis, Max Muller said
that "these sages climbed up to the heights where their lungs only
could breathe, and where those of other beings would have burst."
These greats followed reason and meditation wherever it led them,
no matter at what cost. They just did not care if all their best
beliefs were smashed, never cared for what society of them, or
talked about them. That is how they became what they became.
Coming to more realistic plane, we find each hymn of the Rig Veda
traditionally attributed to a specific rishi, and the "family
books" (Rigveda: 2-7) are said to have been the spiritual wisdom
received by the various families. The main families, listed by the
number of verses ascribed to them are:
Angirasas: 3619 (especially Mandala 6); Kanvas:
1315 (especially Mandala 8); Vasishthas: 1267 (Mandala 7)
; Viswamitras: 983 (Mandala 3); Atris: 885
(Mandala 5); Bhrgus: 473; Kashyapas: 415 (part of
Mandala 9); Grtsamadas: 401 (Mandala 2); Agastyas:
316; and Bharatas: 170.
Of these, three families stand out as connected with fire
sacrifices: Angirasaa, Atharvan, and Bhrigu. As sages, they
carried an aura around them, and were respected as divine, having
humbled even the gods in their feud with them. Some other sages
like Atri were deified to be made one of the seven sages of
saptarshi mandala.
Manu, as a sage is the living equivalent of what is Yama for the
dead. He is also the son of Vivasat, as Yama is, and is considered
to be the progenitor of the human race. His name is connected more
with the deluge during which the Lord came as Mina Avatara.
Viswamitra and Vasistha became more famous as the sage connected
with the life of Sri Ramachandra. However, their feud and rivalry
became so famous that these stories and their outcome have entered
the Indian lore.
Not much is known about the Vedic sages other than what we get in
the epics and the Puranas. The little that we gather about them
from the later works makes us feel that they considered themselves
mere instruments in receiving the divine wisdom and knowledge for
the benefit of the mankind.
Despite their impersonal way of life in which rituals and
meditation occupied their nearly whole of waking hours, they
unknowingly left behind a way of life that was later on emulated
by the Brahmins for centuries to come.
Rishikas -- The Female sages
We come across quite a few names of the rishikas (women Rishis) in
the Vedas. Probably none of them was the composers of the Vedic
mantras, but they were definitely samhitākartās, who assisted in
the collection of the Veda mantras. Since the sages normally led a
married life, and had children who grew up in the Vdic atmosphere,
it was quite natural to have some great rishikas.
Some famous great female sages are: Maitreyi who was
Yajnavalkya's wife; Gargi, who challenged Yajnavalkya with
her sharp questions, Lopamudra (wife of Agastya), who has
two mantras (RV I.179.1-2) attributed to her, Roamasa the
wife of Svanya , Visvavara belonging to the Atri family, Aangirasi
Sarasvati of Angirasa family, Apala of the Atri
family, Yami Vaivasvati, Sraddha, Ghosha,
Urvasi, Sarama, Poulomi, and others. Most
of them are mentioned in the Rigveda.
Yajna: Vedic rites and sacrifices
Broadly speaking, religious acts of an individual, or of a group
is yajna (religious sacrifice).
Under normal conditions, every act of a person is mundane, and at
times, even profane. But when those very acts are performed with a
religious outlook, they becomes yajna. Even the simple act of
breathing can be transformed into a sacrifice (Gita, IV.29) when
it is performed with proper attitude. Thus yajna (sacrifice) is
the consecration of the mundane to the divine. It is the
transformation of the profane into the sacred; is the bridge
between the material and the spiritual; and is the instrument to
convert the belittled to the exalted.
For a person to be spiritual, his acts have to be spiritualised,
and for that every act of his has to become a yajna. That is why
even the act of creation by Purusha (God) was perceived as a yajna
by the Vedic sages, and was described so (Purusa Sukta, Rig Veda
X. 90) . But, it is impossible for a common man to treat every act
of his as a yajna, which means that an easier way has to be found
for his upward journey towards spirituality.
It was to solve this problem that the Vedic sages came up with the
solution of public and private yajna for all. Soon they had framed
methods by which the life of an individual and the society could
be regulated by sacrificial acts. In birth, death, marriage,
acquisition, renunciation, sorrow, joy, victory, loss -- there
came up a yajna.
Slowly these yajnas diversified into sacraments (samskaras), and
sacrifices (offerings and oblations). The sacraments for the
individual's private life (like marriage, sacred thread ceremony,
funeral rites etc.) grew up to forty in number, but was later
brought down to eighteen, then to sixteen in the Smriti period,
and finally to ten in the Tantra system. Most Hindus now follow
these ten samskaras. A brief overview of the samskaras will be
given in "An Overview of the Smritis " .
The yajna which were not sacramental (i.e. not a samskara) were
characterised by offering of oblations to various deities and
personalities. The oblations (haviH) meant for gods were poured as
ahuti into fire, known as homa , whereas the offerings made to the
ancestors and the demigods (Nirriti and the Rakshasas) were known
as bali and were placed on the strewn grass, or put in water.
These practises continue even today. It is believed that in the
early days, even the offerings to gods were not made in the fire,
but were placed on the ground, or strewn grass, but later on
nearly all the offerings were made into fire (Agni got a severe
stomach problem due to this, as narrated in Mahabharata).
Here we discuss only the fire sacrifices addressed to the gods.
The Vedic yajna are prayer to the divine in anticipation of
something in which the offering (including the sacrificial goat)
effects the communication between the mundane and the sacred; and
the priest acts both as the agent of the sacrificer and the
mouthpiece of the gods.
These fire sacrifices had: a) one single fire used in domestic
rites, or b) three fires for bigger sacrifices. In case of the
three fires, the most important fire used to be the Gārhapatya (of
the master of the house), which descended from the domestic hearth
of the sacrificer, and was kept perpetually burning. All oblations
were cooked in this fire. To its east used to be Āhāvaniya fire,
in which offerings were made. To the south of the Gārhapatya, the
dakshina agni used to be set, in which the fire used to be brought
at the end of a sacrifice.
The Vedic rites can be classified into two groups: Grihya
(domestic) and Shrauta (public), which were characterised
respectively by the absence and the presence of priests. Grihya
sacrifices included the individual samskaras (purificatory
sacraments), a daily sacrifice called mahayajna (great sacrifice),
and seven pākajanya (cooked sacrifices).
The Shrauta sacrifices consisted of haviryajna, and Somayajna. The
haviryajna were performed with grains, ghee, milk etc., whereas
the Somayajna were performed with soma juice. These sacrifices
were again categorised as nitya (daily), naimittika (occasional),
kāmya (with a specific desire), and prāyaschitta (penance).
Some of the the famous Vedic rites are:
Agnihotra: This was the twice daily pouring (at sunrise and
sunset) of oblation (mostly milk) in the sacrificial fire by the
family. The ritual was performed by a priest for his own or the
benefit of a sponsor (yajamāna). This sacrifice was considered
purificatory in nature, and is still practised by some.
Darshapaurnamasa: This was performed on the new moon and
the full moon days.
Agrāyana: This involved offering of newly produced grains
in different seasons.
Chāturmāsya: These were the four monthly rites which used
to be started in the beginning of any of the three seasons:
spring, rainy, or the autumn.
Agnishtoma: It was performed annually in the spring season
in the praise of Agni.
Pravargya: It was an oblation offered to Ashvins of goat's
and cow's milk heated in a vessel.
Vājapeya: This was done to celebrate a great victory by the
king. It lasted from 17 days to a year.
Rājasuya: It was the consecration of a famous king in which
great expenses were made. In the Mahabharata period Yuddhisthira
performed this yajna.
Aswamedha: This was a complex sacrifice marked to prove the
sovereignty of a king. After the sacrifice, the king was known as
Chakravarty. Raja Ramachandra had performed this yajna.
Sarvamedha: It was a ten day sacrifice, in which a person
sacrificed everything he had. It was performed for the sake of
gaining and winning every kind of food, and attaining supremacy.
Prayer
Along with the growth and consolidation of the yajnas, prayer to
the divine also grew in importance. In the Vedas prayers are
linked with the sacrifices in the form of a formula (yajus),
pronounced in a low voice. There were also declamations of verses,
called shastras, in which 'Aum' was inserted at regular interval.
References are also made in the Vedas to an 'internal' mental
sacrifice which can be used in cases of urgency. The part played
by thought, side by side with word and action is emphasised many
times in various hymns. Later on this concept was taken up by
various religious systems as manasā- vācā - karmanā, and a devotee
was advised to offer all his acts of thinking, speaking, and doing
to the Lord.
Although prayer played an integral role in any sacrifice, with
time it grew independent of the yajna. The independence and the
autonomy of prayer ensured its own dynamics, and it soon became
powerful enough to overthrow the role of sacrifices in a spiritual
life altogether. When the scholars try to present Upanisahdic
thoughts as a revolt of the Kshatriyas against the Brahmins, they
overlook the fact that the Upanishads are the natural outcome of
the power of prayer to the Self. Any open religious system is sure
to reach the state where prayer becomes the essential part of its
outlook. Prayers are a kind of paradigm shift in spirituality -- a
fact that was recognised and practised by the Vedic sages more
than five thousand years ago.
*****
Sections of the Vedas
Brāhmanas
The discussion till now has been on the Samhitā portion of the
Vedas. As mentioned earlier, the Vedas have three more sections:
Brāhmana, Āranyaka, and Upanishads. Of these, the Upanishads
continue to influence the lives and philosophy of the Hindus, but
the other two reached a dead end long ago, after giving birth to
more specialised branches of religion connected with the issues
discussed in them.
Commenting on Taittiriya Samhita 1.2.1, Bhatta Bhaskara defines
‘Brahmanas’ as texts which expound the Vedic mantras and Yajnas.
In chapter 2 of his Kavyamimansa, Rajasekhar defines the Brahmanas
as texts which are characterised by statements of eulogy, censure,
exposition and (ritual) application (of mantras). The word is used
distinctively to denote certain texts for the first time in
Taittiriya Samhita 3.7.1.1
Many scholars, modern and ancient, have tried to define the
Brahmanas by stating their characteristics. The reality however is
that there is no sharp difference in the character of the Mantra
and the Brahmana portions of the Vedas. The only thing that we may
state safely is this – Mantras are those portions of the Vedas
that are designated as such traditionally. And the rest is
Brahmana.
Vedic sages felt that there was nothing that could not be achieved
by sacrifices – the sun could be stopped from rising, and Indra,
the chief of gods, could be deposed from his throne. The Samhitā
contain the mantras that are required in various sacrifices, but
the methodology and the science of the rituals and sacrifices
required a separate kind of work.
With the growth of Samhitā literature, the corresponding science
of performing the yajna also increased in bulk. With time, these
were collected in a special class of literature which was known as
Brāhmana. The formulas and rules for conducting extremely complex
rituals are explained to the minutest detail in these works, and,
every ritual is performed with a specific purpose, for which a
specific result is described. Thus, for each Samhitā, there were a
number of Brāhmana, which are treated as the Veda itself. Unlike
the Samhitā, the Brāhmana are exclusive prose works, although some
are accented.
In addition to these, the Brāhmanas also contain myths, legends,
and narratives to explain or rationalise the then religious
practices. The duties of men professing different occupations, the
eternity of the Veda, popular customs, cosmogony, historical
details, praise of ancient heroes are some other subjects dealt
with in the Brahmanas. The later philosophical speculations
concerning the Self were also a part of the Brāhmana, but later it
broke free to become a separate section.
Thus, the Brāhmana literature can be classified under three
sections:
1. vidhi, which are the practical sacrificial directions
2. arthavāda, (eulogy) which are the explanations of meanings and
purpose of the sacrifices
3. upanishads, the later philosophical developments which focus on
"I am That."
The staunch traditionalists, however, accept only vidhi and
arthavada as the Vedas.
As in the case of Samhitā, a major portion of the Brāhmana
literature has been lost, but what has reached our hands, forms an
extensive literature.
The Brāhmana are indispensable if one wants to understand the
later religious and philosophical literature of Hinduism. These
works are also important to understand the history, science, and
growth of priesthood and sacrifices. Most of the beliefs practised
in modern Hinduism has been adapted from these works.
The famous Brāhmanas:
Rig Veda
* Aitareya Brāhmana: It deals with Soma sacrifices, Agnihotra, and
Rajasuya yajna.
* Kausîtaki/Sānkhāyana Brāhmana: It deals with Soma sacrifices and
the food sacrifices.
Samaveda
* Tāndya Maha Brāhmana/ Panchavimsa: It contains some very old
legends and the details of a sacrificial ceremony (Vrātyastomas)
by which Vrātyas (total outcastes) were received in the
Brahiminical fold.
* Sadvimsa Brāhmana: It deals with miracles and omens
* Jaiminîya Brāhmana: It has legends and the history of religion
* Chāndogya Brāhmana: The first two 'lessons' deal with ceremonies
relating to birth and marriage; whereas the last eight 'lessons'
constitute the famous Chāndogya Upanishad.
* Sāmvidhāna, Devatādhyana, Vamsha, Samhitopanisat Brahmans: These
four Brāhmanas are very short, and are not really treated as
Brāhmana.
* Sātyāyana Brāhmana: It is only found in quotations of
Sayanacharya.
Krishna Yajurveda
* Taittiriya Brāhmana: This Brāhmana is in addition to the
commentary already interspersed in the Samhitā. It also contains
Kāthaka portion of Brāhmana, which otherwise is considered lost.
The text details various sacrifices and also narrates some
legends.
Shukla Yajurveda
* Shatapatha Brāhmana: It is in a hundred chapters, and is the
most extensive and the most important of all the available
Brāhmanas. It has tow recension -- Kānva, and the Mādhyandina. The
work deals with sacrificial matters, sacred thread ceremony,
svādhyāya (self study of scriptures), and some special sacrifices
like Asvamedha.
Atharva Veda
* Gopatha Brāhmana: This is the only available Brāhmana of the
Atharvaveda. In this work we have Upanishad texts like the Pranava
Upanishad.
Evolution of the religious ideal in the Brāhmana:
Japa: The rationale of the sacrifices were discussed
threadbare in the Brāhmana, but that did not satisfy every mind.
Questions were raised against sacrifices and their methodology.
Even gods themselves started becoming redundant. And with all this
kind of mental activity poured into the analysis of the rites and
their explanation, abstractions were increasing rapidly in the
Vedic religion.
As the sacrifices were glorified and given power even over the
Vedic gods, the power of the word increased. Japa (the practice of
chanting a mantra silently) of 'Aum' practised ascetically with
the sacrifices was believed to produce all one's desires. At the
same time knowledge was beginning to be valued. In one exchange
mind says that speech merely imitates it, but speech emphasises
the importance of expression and communication; however, Prajapati
decides that mind is more important than the word.
In the long run, the sacrifices went away, the gods went away,
prayers and chant went away. What remained was only japam of the
sacred 'Aum'. Later, this was also given up to pave way for
meditation.
Tapasyā: Prajapati was the father of both the gods and the
demons. The ethical principle of truth became stronger as the gods
were described as truthful and the demons as not so truthful.
However, realising the ways of the world, many complained that the
demons grew strong and rich (as people complain even today of
those who become successful by taking the wrong path). Instead of
telling that the demons would perish due to their own karma,
emphasis was laid on the power of goodness. The gods were advised
to perform sacrifice, or perish. The gods performed sacrifices
that made them triumph over the demons, and also helped them
attain Truth.
To emphasise the power of tapas and sacrifice, it was said that
Prajapati practised tapas to create the world by the heat of his
own tapasya. Prajapati not only created, but also entered into
things as form and name, giving them order. In the later
literature, Prajapati was replaced by Brahma, who was identified
with Truth and became the Creator God in the trinity that included
Vishnu and Shiva.
Self Analysis: A judgement after death using a scale to
weigh good against evil is described in the Satapatha Brāhmana.
The text recommends that the one who knows this will balance one's
actions in this world so that in the next the good deeds will
rise, not the evil ones. This concept, however, underwent a great
change in later times, and spiritual aspirants were advised to
discriminate between the Real and the unreal to attain spiritual
wisdom.
Rebirth: Belief in repeated lives through reincarnation is
indicated in several passages in the Brāhmanas. A beef-eater is
punished by being born as a strange and sinful creature. However,
as knowledge rivalled the value of ritual, this new problem of how
to escape from an endless cycle of rebirth presented itself
automatically, which led to the more abstract philosophy of the
Upanishads.
A few Selections from the Brāhmana
** Bhrigu, the son of Varuna was devoted to learning.
Unfortunately his learning made him egotistic and he thought that
he was superior to all, including the gods and his own father. So
Varuna decided to make him grow in humility, and had his life
breath stopped. This made Bhrigu enter the worlds of death. In the
first he saw someone cut another man to pieces and eat him; in the
second, one man was eating another who was screaming, and in the
third a man was silently screaming. In another world there were
two women guarding a treasure, and at one place a stream of blood
was guarded by a naked black man with a club, while a stream of
butter provided all the desires of golden men in golden bowls. In
the sixth world five rivers of blue and white lotuses were
flowing. There also was the river of honey, wonderful music,
celestial nymphs dancing and singing, and a fragrance enveloping
the whole region.
When Bhrigu returned, his father explained to him that the first
man represented people who in ignorance destroyed trees, which in
turn ate them; the second were those who cooked animals that cried
out and in the other world were eaten by them in return; the third
were those who ignorantly cooked rice and barley, which screamed
silently and also ate them in return; the two women were Faith and
non-Faith; the river of blood represented those who squeezed the
blood out of a Brahmin, and the naked black man guarding the river
was Anger; but the true sacrificers were the golden men, who got
the river of butter and the paradise of the five rivers. --
Satpatha Brahmana XI.6.1
** “Prajapati alone existed before this Universe came into being.
The word certainly was his only possession. Therefore, the word
was the second. He desired: ‘Let me emit this very word, it will
pervade this whole (space). He emitted the word and it pervaded
the whole (space). It rose upwards and spread, as a continuous
(well joined) stream of water.” -- Tāndya Brāhmana 20.14.2
** “Some ask- ‘If a man establishes the sacrificial fire and then
dies while touring abroad, then how does one do his Agnihotra? To
this, we reply that it is to be performed by offering the oblation
of the milk of a cow which has been suckled by a calf that is not
its own. This is because the milk of such a cow is akin in nature
to the Agnihotra of such a dead man. Alternately, perform the
Agnihotra with the milk of any cow. Others state the relatives of
the dead man should keep the alters of that man fired up without
offering sacrificial oblations till the bones of the dead man have
been collected after cremation of his corpse. And if the corpse is
not traceable, then twigs from 360 ‘flame of the forest’ trees
should be cut and fashioned into a human figure. This should then
be cremated with full ceremony and at that time, the fires from
the altar established by the dead man should be extinguished by a
transfer to his funeral pyre. The likeness of the corpse should be
created in this manner- 150 twigs for the torso, 140 for the twigs
for the two thighs. 50 for the legs and the rest should be placed
above its head. Thus ends the procedure for the atonement
performed for a man who establishes a sacrificial fire in the
altar but dies while touring abroad.”
-- Aitareya Brāhmana XXXII.1-2
Āranyakas
As appendices to nearly all the Brāhmanas are the texts known as
Āranyakas (lit. forest texts). The main content of these texts are
the mysticism and symbolism of sacrifice and priestly philosophy.
In turn these Āranyakas end in the Upanishads. Although the very
orthodox Vedic schools did not give much importance to the
Āranyakas and the Upanishads, these are extremely important for
the Vedanta philosophy. The Vedantins do not see Upanishads as the
end of the Vedas, but as the final aim of the Vedas.
The Aranyakas were called the forest texts because the ascetics
who taught them used to retreat into the forest, and the disciples
used to follow them there. This resulted in a loss of emphasis on
the sacrificial rites that were performed in the villages and the
towns. It is believed that these texts were for the Vānaprasthis
(those who had completed their worldly duties and renounced them),
who were supposed to meditate on the mystical significance of the
sacrifices only. Thus the Aranyakas were the transitional link
between the Brāhmanas and the Upanishads; they discussed rites,
had magical content, lists of formulas and the hymns from the
Vedas, but also had the early speculations and intellectual
discussions that finally flowered in the Upanishads.
The Taittiriya Aranyaka tells how when some great sages were
approached by some ordinary sages for instruction, they refused.
But when the sages came back with faith and tapas, they were
instructed.
The sense of social morality also started growing: truth was
considered to be the highest value, debtors were in fear of
punishment in hell, and immorality was condemned.
The emphasis now was on spiritual knowledge. The concept of prana
as the life energy of the breath was exalted and was declared to
be present in trees, animals, and people in ascending order. Human
immortality was identified with the atman, and not with the body.
Hell was still feared, but it was believed that by practising
tapasya,one could hope to be born in a better world after death or
be liberated from rebirth. Non-attachment (Vairagya) was also
declared to be the great purifier of the body and the liberator
from the cycle of life and death.
Brahman, the Supreme Reality, and Atman, the individual's essence,
were now more important than gods and sacrifices. The guardians of
the spiritual treasures of the community were called Brahmavadins
(those who discussed Brahman).
The Various Āranyakas
Rig Veda: Aitaraya, Kaushitaki or
Shānkhyāyana
Krishna Yajurveda: Taitttiriya, Maitrāyani,
Shukla Yajurveda: Brihadaranyaka (two recensions)
Samaveda: Chhandogya, Jaiminiya
A few Selections from the Aranyaka
“They said: ‘Sir, you are the teacher, you are the teacher. What
has been said has been duly fixed in mind by us. Now answer a
further question. Fire, air, Aditya (sun), time, prana, food,
Brahma, Rudra, Vishnu- some meditate upon one, some meditate upon
another. Tell us- which one is the best for us?’ Then he replied
to them: “All these are merely the manifest forms of Brahman, the
Immmortal, the Formless. To whichever form each man is devoted
here, in the realm of that deity does that man rejoice. For it has
been said- ‘This whole is Brahman (Brahma khalvidam vāv sarvam).
These, which are its manifest forms that one meditates on,
worships and finally discards. For, by meditation upon these
forms, one moves to higher and higher realms, and when all things
perish, one attains unity with the Purusha!” -- Maitrayani
Aranyaka
'He by Whom all this Universe is pervaded-- the earth and the mid
region, the heaven and the quarters and the sub-quarters, that
Purusha is fivefold and is constituted of 5 elements. He who has
attained the Supreme Knowledge through Sannyāsa (renunciation) is
indeed this Purusha. He is all that is in the present, was in the
past and will be in the future. Though apparently human, his true
nature is that which is settled by the Vedas and what is attained
by his new birth is in right knowledge. He is firmly established
in the richness of knowledge imparted by his teacher, as also in
his faith and in Truth. He has become the self resplendent. Being
such a one, He remains beyond the darkness of ignorance. O Aruni!
Having become one possessed of knowledge by realising Him, the
Supreme, through sannyasa, and with your mind fixed in your heart,
do not again fall a prey to death, because sannyasa is the supreme
means of spiritual realisation, therefore wise men declare that to
be above all the means of liberation.' -- Taittiriya Aranyaka,
X.79
'Thereafter, when the body is made fit for a state of
desirelessness, he should be bent over the offering to Brahman. In
this way, he will drive repeated deaths away. “The Soul is to be
envisioned, to be heard, to be thought of and to be meditated
upon.” “Him (the Soul) they aspire to know by reciting the Vedas,
by practicing the rigors of studentship (including celibacy), by
asceticism, by faith, by ritual sacrifices and by fasting” says
Sage Mandukeya. “Therefore, he who knows this should, becoming
tranquil, restrained (in senses), still in meditation, enduring of
the opposites and immersed in faith, perceive the Soul in his own
soul,” thus says Sage Madavya. That Purusha, who lives in the
midst of life forces, and is a repository of consciousness, is
incomprehensible and ought to be distinguished (form the animate
and inanimate creation) as ‘Not this, Not this’.” “This Soul alone
is the Kshatriya, it is the Brahminhood, it is all the divine
beings, the Vedas, all the worlds, it is all beings, indeed it is
all! This Soul is that is designated by ‘Tat tvam asi’ (That Thou
are). This Soul is to be comprehended in ‘I am Brahman’. This
Brahman (the Supreme Soul), without any predecessor, without any
superior, without another equivalent, immanent in all, without an
exterior (i.e. all pervading), is this Soul-- the Brahman (the
Supreme Being), the entity that experiences everything in the
Universe-- such is the doctrine”- says Sage Yajnavalkya. ' ---
Shānkhyāyana Aranyaka
The Upanishads
There are as many Upanishads to each Veda as there are Sakhas,
branches or recension, i.e., 21, 102 (according to some, 109),
1000 and 50 respectively to the four Vedas (The Rig-Veda, The
Yajur-Veda, The Sama-Veda and the Atharva-Veda). However, just
like the lost recension, the corresponding Upanishads are also
lost.
According to various sources, there are different number of
important Upanishads, but Acharya Shankara has commented upon
eleven: Isa, Kena, Katha, Mundaka, Mandukya, Prasna, Aitareya,
Taittiriya, Chhandogya, Brihadaranyaka, and Svetasvatara. There
are some upanishads coming from very old times other than these,
but nearly all of the other upanishads (including Allahopanishad)
is a later addition. These later works claim to belong to the lost
portions of the Vedas, which can neither be proved nor disproved.
The fundamental principle governing the Upanishads is the great
spiritual realisation that "Atman is Brahman" -- the individual is
one with the Universal.
Because of their importance and vastness, the Upanishads will be
discussed in a separate section.
The Vedangas
From the aspect of the spiritual tradition, the Vedangas do not
have much importance, because they act as auxiliaries to the
Vedas. These subjects of study were quite important for the
performance of Vedic rites and sacrifices, but they had no direct
role in the spiritual life of a person. In later times, the
evolved branches of these Vedangas were taken up by the greats of
their fields and made into a complete shastra, which when followed
devotedly, could take one to the realisation of the Supreme
Rality.
There are six Angas or explanatory limbs, to the Vedas: Sikshā
(Phonetics), Vyakarana (Grammar), Chhanda (Prosody metre), Nirukta
(etymology), Jyotisha (Astronomy and astrology), Kalpa (Srauta,
Grihya, Dharma and Sulba).
Sikshā: In the Taittiriya Upanishad there is the famous
mantra: " Aum. We will expound siksha, or the science of
pronunciation. It deals with sound, pitch, quantity, force,
modulation and combination. Thus is explained the lesson on
pronunciation."
As mentioned in the above Upanishad, Sikshā was the science of
pronunciation. The oldest phonetics textbooks are the Prātishakyas
that describe pronunciation and intonation as well as the rules of
sandhi of the vedic Sanskrit. These books were specific to the
individual Shakhas of the Vedas. With time, more popular versions
of these Prātishakhya came into existence which were known as
siksha.
The importance of the study of this branch of study has been
beautifully stressed in a popular story (Taittiriya Samhitā,
2.4.12): Tvasta, the divine carpenter wanted to take a revenge on
Indra, and hence conducted a yajna to beget a son who would
destroy Indra. When he chanted the mantra, 'Indrasatur
varddhasva...' , he went wrong in intonation: he was supposed to
pronounce "indra" without raising or lowering the syllables in it,
whereas "tru" and "rddha" should have been raised (udatta). Had
Tvasta pronounced correctly, it would have meant 'May Tvasta's son
grow to be the slayer of Indra'. Unfortunately because of the
wrong intonation, the mantra now meant, 'May Indra grow to be
killer of this son (of mine).' Consequently, Tvasta's son was
killed by Indra, although there was no change in the wordings of
the mantra, only the change in the stress of the letters caused
this havoc.
Vyākarana: The Vedic grammar is lost forever but the
remnant of it can be found in the works of Panini's grammar.
Chhandas: This the science of prosody. There are very few
books left on this subject, that too of very late origin. Sutras
of Pingala on metrics is one of the more famous one, but this was
also recorded much after the Vedic period.
Chhandas expound the 'metres of the gods', the 'metres of Asuras'
etc., and treat the seven famous metres of the Vedas, along with
the other complex metres. Reflections on the names and forms of
metres, and the mysticism of the syllable and of the verse were
developed to an extraordinary extent in the hymns of the Samhitā,
and also the Brāhmanas.
Nirukta: This Vedanga is the philosophy of etymology, but
deals exclusively with the words of Rig veda. Yaska's Nirukta is
the only famous work that has come down to us, which in itself is
the commentary of an earlier work, Nighantu. It is in the form of
explanations of words, and is the basis for later lexicons and
dictionaries.
Jyotisha: The importance of the Vedic sacrifices
necessitated the drawing up of the calendar for rituals and fix
the proper times for the sacrifices. This meant that the sages had
to study the movements of the planets and observe the celestial
phenomena in detail. It was thus that the science of astronomy and
astrology came up in India.
Kalpa: It is the description of the methodology of ritual.
To help the priests perform the various details connected with a
sacrifice, a kind of manual was worked out. With time every Veda
had its own handbook (written in short form, known as sutra) of
rituals, which came to be known as Kalpa. Thus the Shrauta Sutras
(dealing with public sacrifices), Grihya Sutras which concern
domestic life and the Dharma Sutras which deal with ethics,
customs and laws -- all belong to Kalpa. The Sulba, which treat of
the measurements necessary for laying out the sacrificial area,
also belong to Kalpa.
Among the Kalpa Sutras, the works of Asvalayana, Sankhayana,
Gobhila, Katyayana, Apastamba, Hiranyakesi, Bodhayana, Bharadvaja
are more famous.
In later times, the Kalpa evolved into Smriti literature of law
books, of which Manusmriti became the most famous.
Conclusion
The Hindus consider the Vedas to be synonymous with knowledge.
However, even a brief survey of the Vedas, as presented in this
short monograph, is enough to make one realise that the Vedas
(which include the rituals, the code of conduct, mythologies, and
the philosophy of Vedanta) are synonymous with religion. Whatever
principle or practice is there in the religious world can be found
in the Vedas, although not every religion can be traced to it.
Swami Vivekananda says, '.. the Vedanta, applied to the various
ethnic customs and creeds of India, is Hinduism. The first stage,
i.e. Dvaita, applied to the ideas of the ethnic groups of Europe,
is Christianity; as applied to the Semitic groups, Mohammedanism.
The Advaita, as applied in its Yoga-perception form, is Buddhism
etc. Now by religion is meant the Vedanta; the applications must
vary according to the different needs, surroundings, and other
circumstances of different nations.'
The spiritual experiences of Sri Ramakrishna have once again
proved that the Vedas are infallible. The experiences portrayed in
many of the hymns of the Vedas were thought to be poetic in nature
by the scholars, but Sri Ramakrishna had those experiences even
before he knew of the existence of such Vedic passages.
It is wrong to search for any kind of religious evolution in the
Vedas; the ideas are as they are. The Vedic sages meditated upon
the various aspects of the external and the internal nature to
come up with the ultimate spiritual solution to the enigmas that
presented themselves to these sages. Naturally it is impossible to
say which of these enigmas were more advanced in nature when they
came to the sages. Further, if it be accepted that the Vedas are
the revelations received in the transcendental state of a pure
mind, then it would be wrong to conclude that there can be any
evolution in it. It would be more like concluding that the words
of Sri Ramakrishna are later than the words of a novice of the
twenty-first century, simply because Sri Ramakrishna's words are
spiritually more perfect. So, one must accept the Vedas as they
are.
Every student of religion and every devout Hindu has to go back
to the Vedas if he wants to make his life blessed.
******
References for An Overview of the Vedas I-IV:
-- Vedic India by Louis Renou. Pub: Susil Gupta (India) Ltd,
Kolkata -12
-- Complete Works of Swami Vivekananda
-- Translations of the Vedas by Ralph Griffith
-- The Call of the Vedas by A.C. Bose, Bharatiya Vidya Bhavan
-- A Vedic Reader by Arthur Anthony Macdonell
-- Vedas by Max Muller
-- Vedic Selections by Calcutta University
-- The Secret of the Veda by Sri Aurobindo